Egg tempera on linen canvas
190 x 190 CM
This painting reflects upon current environmental crises, particularly in relation to Tasmania’s lost natural habitats and its extinct or threatened plants and animals. It borrows the format of Tasmania’s 1917 coat of arms and refers to the motto inscribed beneath, Ubertas et Fidelitas (Fertility and Faithfulness).
The two Tasmanian Tigers display, in place of the coat of arm’s original symbols of industry and agriculture, an art historical symbol of fertility – Gustave Courbet’s L’Origine du monde (The origin of the world, 1866). Set against a brown landscape decimated after decades of exploitation by the agricultural and forestry industries, the painting heralds a land stripped of life. The optimistic “fertility and faithfulness” of a hundred years ago has here been replaced by a barren landscape governed by avarice and neglect.
Born Launceston 1952. Lives and works in Sydney. Exhibiting since the 1970s. Winner of Paddington Art Prize 2016 and Sulman 2008. Has been selected for the Blake, Archibald, and Wynne art prizes on many occasions. FInalist in Doug Moran National Portrait Prize 2016. Represented in many major public collections.
Represented by Despard Gallery, Hobart & Australian Galleries, Sydney/Melbourne